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Martin s dissertation party - Different moments

Different moments from my dissertation party which took place in Malm (Sweden) one year ago.

A Dissertation Upon Parties: Viscount Henry St John Bolingbroke

Bolingbroke dissertation on parties

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beauty poetry essay Beauty is a problem for poetry because we no longer imagine beauty as a serious way of knowing. But it is. Beauty wedges into the artistic space a structure for continuously imagining what we do not know. This claim reverses Shelley's formulation of dissertation, poetry as the animal farm theme analysis essay, place where we imagine that which we know, which presumes that creativity translates knowledge into imagination. Our general lack of response to bolingbroke dissertation on parties, beauty nowadays--at least in analysis essay, critical literature--results, among other things, from an intuitive sense that beauty defies such translation. We can neither measure the knowledge that Shelley's imagination turns to beauty, nor can we translate that beauty back into its components of knowledge and imagination. That's because beauty is a non-conceptual way of knowing. We have developed, implicitly, a sense of the non-conceptual in artistic beauty; but we have not much developed sympathetic theories that will allow us to discuss beauty in these terms. We still largely imagine beauty in on parties, Shelley's terms, and so we think that those parts of beauty which resist the translation back to automated essay grading system, knowledge are uselessly private and bolingbroke uncommunicative. In fact, they are what beauty knows: that knowledge is also--perhaps most importantly--what we do not yet know.

Forms of beauty are resistant structures, imaginative structures that present an impenetrable model of the unknown. Beauty is therefore endlessly talk-inspiring, predictive rather than descriptive, dynamic rather than settled, infinitely serious and useful. That beauty cannot be translated into expository terms is a particular problem for poetry, especially in an abstract language like English. Poetry's material (language) is, in other contexts, overwhelmingly used and valued for its conceptual and communicative facilities. We imagine, to couch the point in terms of Pound's logopoeia , that poetic beauty is insufficiently difficult or concept-provoking. But when we distinguish pleasing or mellifluous versions of phanopoeia and melopoeia from the conceptual discursive world of thesis about system, logopoeia , we err if we think the bolingbroke, first two simple-minded and the last the place of seriousness. Music is feeling, then, not sound, writes Stevens, and animal farm analysis essay we think that we cannot think about feeling or music, since they are subjective and ineluctable. We think we cannot say anything critically useful about them, and so we divide aesthetics from theoretical and/or conceptual content and concentrate on the latter, about which we feel we can say something. The problem is compounded by some of the critical correctives of the last couple of decades.1 As we pursue historical, cultural, and bolingbroke dissertation gender-based critical modes, theories of beauty are often labeled hegemonic models bequeathed by white males, in part because they often are (Shelley's, for example). Taking beauty seriously, developing theories of beauty, is out of fashion.

As a result, we really have not gotten much further in our theories than Alexander Baumgarten's definition of a poem as a perfect sensate discourse (39)--communicating content via sensory form--or Kant's antinomy of taste, which is fairly useless if we hold that aesthetic disinterestedness is essay grading system a contradiction in terms. In fact, when Baumgarten coined aesthetic from the Greek aisthesis (sensory perception) he was perhaps more enlightened than we often are about the on parties, power of the senses, since he wanted to make serious place for the lower sensory functions among higher functions of rational meaning. So, what is the experience of poetic beauty? It is, first of all, subjective interestedness. Interestedness requires sympathy, so poetic beauty might be defined as the result of subjective sympathy: paying enough attention to a poem for it to teach us how to read it and (crucially) feeling that it fulfills the terms it lays out. These terms may be of transition in essay writing, many varieties, such as lyricism, word attention, sound dissonance, even of a faltering which is part of the poem's point. Dissertation On Parties? Poems whose beauty strikes us overwhelmingly and immediately are poems that use well some of the rules we are well trained to essay, perceive.

Poems whose beauty takes time for us to appreciate have worked to increase our aesthetic faculties. This is not to dissertation on parties, say that all poems are beautiful. Many do not fulfill the terms of their own construction, and so leave us feeling dissatisfied. On the other hand, some poems leave us feeling dissatisfied because that is part of their point. It is animal analysis as impossible to bolingbroke, determine the difference--in terms of establishing interpretive predictions or tools--as it is to define poetic beauty. Beauty is contingent and unique and cannot be derived from or defined according to rules or explanatory codes. But I want to insist that poetic beauty is important to talk about and critical wonderful to experience. As Wendy Steiner puts it, the pleasures of art, however scandalous they have come to be seen, are valuable and worth protecting (80). One of the difficulties in writing about poetic beauty is that poetry, being all of the same basic matter--ie, words--is always formed and therefore, in the formositas sense, always beautiful.

To put it in Scholastic or phenomenological terms: the on parties, material object of poetry is essays language, its marks and sounds; the bolingbroke on parties, intentional object is how we (subjectively) read that material. In the critical essay, material sense language is beautiful, while in the intentional sense--well, it all depends on our training. Dissertation On Parties? What Westerners commonly register as ugliness is the effort of poetic language to critical, resist formal regularity, whether at the level of phoneme, word, line, or overall form. This resistance sounds harsh in part because it is resistance and in part because it has to go so far to get somewhere that approximates escape from expected poetic manifestations, as in these lines from Bruce Andrews' The Impatient Heart: church bells howitzers aloft to oust who suspect they've come as. idea of beauty must matrimonial aside attention suddenly spirited. to smooth a tug also in attendance in defense of hand flintlock. rifles ego amid keys gaiety of sleepwalking had cornered. This passage fulfills some conditions of poetic beauty: moving relations of sound and vision, accumulations of bolingbroke on parties, diaphanous and concrete referentiality, mouthfuls of language.

The vowels dance with the automated grading system, consonants: -ur- -el- -owitzer- -oft to bolingbroke, oust who moves to suddenly spirited to smooth. How is this kind of poetic beauty different from what we might expect to hear discussed in an essay about mellifluous poetic beauty? We might expect to read excerpts from Yeats or Gjertrud Schnackenberg, or at the very least from some of Stein's or David Bromige's sweet simplicities. But poetic beauty is not only evident lyricisms or the apparently perfect mesh of essay, prosodic tool with signified point. To risk a definition that pre-defines nothing: poetic beauty is a different thing in different poems.

So, what is the problem of on parties, poetic beauty? It is not simply the neglect of beauty, or the denial of its existence; it is also the several reasons for animal essay, that neglect and bolingbroke dissertation on parties denial. One reason for the failure of interest in beauty is erotic repression. Beauty is always, to a greater or lesser extent, tied to the erotic. André Breton calls this convulsive beauty: art he likes must arouse a physical sensation . . . I could never avoid establishing some relation between this sensation and that of erotic pleasure, finding only no regrets, a difference of bolingbroke on parties, degree (8). Jeffrey C. Robinson laments that In denying ourselves the beautiful, we have lost in addition the erotic experience that accompanies our access to it and our experience of it. This, in a society as neurotic about desire as ours, should come as no surprise (7).

But we don't admit denying ourselves the beautiful; we just give it other names in an effort to dismantle it into formal or cultural properties. That's because another problem with beauty is that it presupposes, inescapably, interestedness. Criticism longs for disinterestedness, so it longs to disassemble all things which seem to prove that disinterestedness cannot exist. But--to re-write Kant--the delight which determines the judgment of taste is thesis inventory utterly dependent on interests of various kinds.2 It does not follow that interestedness decreases our vocabularies, least of all our ways of seeing and knowing. On the on parties, contrary: to about, expose interest is to on parties, expose its endlessly varying manifestations, to increase rather than to limit both what we can say and what we can think. Bound up with both its erotic components and farm its inherent interestedness is the dissertation on parties, fact that beauty is a manipulative force. In biological terms, poetic beauty seems to words in essay, be the supernormal releasor of the language world. We recognize our sensible reaction to its charms, but once out of nature we want to dissertation on parties, prove that it has lost dominion over us, and so we refuse the irrational form-intensity of transition words writing, poetry.

We don't want, as discursive groups, to be tyrannized by bolingbroke on parties love, desire, or sensation, so we say that because they are subjective they effectively no longer exist as discursive issues. In neglecting to jane religion, talk about bolingbroke, them we are a bit like the devil in Blake's Milton : Satan Refusing Form. We have at least not abandoned the in essay, modern urge to intensity, which is another frame for the question of beauty. The common opposition between modernism's urge to intensity and postmodernism's knowing better seems to me false. Bolingbroke Dissertation On Parties? Postmodernism's theoretical refusal of intensity belies its practical embraces: trauma art, Sylvia Plath, bored violence, poetry slams, William Vollmann, Veronica Forrest-Thomson, celebrating failure, all these rely on surface-to-depth intensity, cousin to the eighteenth-century Sublime. We might well find, for both modern and animal farm theme analysis postmodern versions of beauty, common ground in an aesthetics of on parties, intensity. The difference in the postmodern aesthetics of intensity, perhaps, is that we want somehow to be the intensity, not to attribute it to thesis documentation about inventory, a form. So we open up a gap between the bolingbroke dissertation, intensity, which is us, and the poem or art object, which comes to resemble a cultural husk. To put it another way: theory and culture, as group projects, tend to exclude sensibility; but poetry always has sensibility, which must be experienced subjectively.

It was Hume, as we know, who took us from the object of thesis documentation inventory, beauty to its perceiving subject. In forming critical groups, we are forced to re-emphasize the object of beauty: we write essays or books about poetry, and our writings mediate between us as readers and writers and between us and the poetry, in a triangular objectification of poetry, critic, and (often critical) reader. We don't see (sense) each other, we read each other. Because this objectification--through the distancing of both poetic object and critical stance--is a false emphasis, the object ends up being emptied of its sensible beauty, which is always a question of subjective human (though potentially shared) experience. So we end up saying that the dissertation, object has no beauty, and automated that we are wrong to speak of beauty, from a longing to solidify group perceptions in and about the object. The subjective experience of beauty becomes closeted, off the record.3 As Charles Lock puts it, Perspective is the way out of participation, our protection from confusion and involvement. Being left outside is the on parties, price of objectivity (413).4. There are many other problems of poetic beauty we might consider: its historical links with morality and cultural instruction (beauty is truth; cure ugliness to cure society); its maddening self-sufficiency and self-possession; the paradox of its seriousness, given that it doesn't know much philosophically or intellectually. But two things I feel pretty sure of: the first is the argument that began this précis, that beauty is a structure for imagining what we don't know. The second is that beauty must change within the unchanged work. Poetry wants to be timeless or immobilized (Not marble nor the gilded monuments of princes, etc.), but it also wants to about inventory, live.5 It is dissertation on parties up to good readings to find both the temporal intactness and critical essay the contemporary potential of any poetic beauty.

Lisa Samuels, University of dissertation on parties, Virginia. Andrews, Bruce. Wobbling . New York: Roof Books, 1980. Baumgarten, Alexander. In Essay Writing? Reflections on Poetry . Trans. Karl Aschenbrenner and bolingbroke William B. Holther. Automated Essay System? 1735; Berkeley: University of California Press, 1954. Breton, André. Mad Love . Bolingbroke Dissertation On Parties? Trans. Mary Ann Caws. Awakening? 1937; Lincoln: University of Nebraska, 1987.

Kant, Immanuel. The Critique of Judgement . Trans. J. H. Bernard. 1790; New York: Hafner Publishing Company, 1951. Bolingbroke? Lock, Charles. Petroglyphs in and out of perspective. Semiotica 100-2/4 (1994), 405-420. Robinson, Jeffrey C. The Current of Romantic Passion . Madison: University of Wisconsin Press, 1991. Steiner, Wendy. The Scandal of Pleasure. Art in an Age of Fundamentalism . Chicago: University of words writing, Chicago Press, 1995.

1. Bolingbroke Dissertation On Parties? As Jeffrey C. Robinson notes: Academic Marxists and feminist literary studies have effaced the beautiful, finding it by implication if not openly a phenomenon created or promoted by capitalism or by the masculine bias in literary production. These days it simply seems irrelevant to the more pressing concerns of history and gender (6-7). No Regrets? 2. In the dissertation on parties, first book of The Critique of Judgement , Kant wrote: The delight which determines the judgement of taste is independent of all interest. 3. So that Wendy Steiner admits It has taken me a long time to admit that the thrust of criticism is the awakening critical essay, 'I like,' and on parties whatever expertise I have accumulated conspires in transition in essay, this admission. See especially pp.

6-8, 80-90 for useful and forthright considerations of the bolingbroke dissertation, importance of artistic beauty and subjective pleasure. Inventory? 4. On Parties? This after Lock reminds us that perspective was the automated grading, very condition of the scientific revolution, and thus of the bolingbroke, cognitive revolution by which knowledge became objective' (410). 5. This point is, in a way, in sympathy with Baudelaire's twofold idea of jane, beauty, except that I fail to see eternal or invariable elements in poetic language. See his Curiositeacutes esthétiques, L'Art romantiques et autres oeuvres critiques . Ed. Henri Lemaitre (Paris: Garnier Frères, 1962): le beau est fait d'un élément éternel, invariable, dont la quantité est excessivement difficile ? déterminer, et d'un élément relatif, circonstantiel qui sera, si l'on veut, tour ? tour ou tout ensemble, l'époque, la mode, la morale, la passion (455-56).

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methods essay Double-click on any word and see its definition from Cambridge Dictionaries Online. One of the most important skills you will learn and develop during your university years is dissertation, writing, in particular essay writing. It is important to realise that this is a skill which has to be learnt and practised, and that therefore you should apply yourselves from the very beginning, as you will be writing essays for which you will be graded from the early weeks to the very end of your degree programme. These skills will be used by no regrets you regularly once you leave university, no matter what path you choose to take. Essay writing involves presenting an argument and communicating.

It can be easily imagined that this covers a vast variety of scenarios in which you need to be clear and persuasive : arguing that you should be given the job you are applying for, selling the outline of a film script you have written, presenting products at various forums, writing articles for bolingbroke on parties publication, persuading your bank manager to extend your loan, preparing reports, beginning and sustaining your career in journalism, and writing lectures and class plans for your future students. The list is endless, and it is animal theme essay, obvious that the way you present your arguments in written form can make the difference between success and bolingbroke on parties failure - in which case you will have to think again. In some of the scenarios outlined above the skills required for essay writing should be slightly adapted but the basic skills and methods are in the main common to all forms of formal writing in which an argument or arguments need to be presented. The focus here is primarily on writing essays concerning literature. Eyre Religion! You may have many great ideas and be a very intuitive and fine reader of literature, but no-one will ever know if you cannot express your ideas properly and your communicative skills are not developed. It is no good carrying around insights into a particular piece of literature if you do not put efforts into bolingbroke dissertation on parties, presenting them clearly . Some of the following may be obvious, but the points need to words be emphasised and bolingbroke on parties consulted each time you are preparing an farm essay, essay. The comments are based on years of experience of bolingbroke on parties reading student essays, good, bad, and indifferent at the University of Liège. An essay should not be merely a list. Too many in the past have been a list of notes, or a series of sub-headings followed by a list of dashes (-) or stars (*) accompanied by one or two words and/or quotations from the literary text with no explanation of words in essay what they are doing there. Let us be blunt here and state that we tutors are not impressed by indiscriminate underlining and the use of different coloured pens. Sub-headings written in magenta, underlined in bolingbroke dissertation on parties ochre, followed by a list of quotations in vermilion are pointless.

We are not tricked by essay attempts to distract us, through dazzling visual displays, from the fact that an essay is poor. An essay should be the development of argument, interpretation and analysis through extended and flowing narrative . Bolingbroke On Parties! To do this you need to work at the level of the sentence, of course, but also, very importantly, you need to work at jane eyre essays religion, the level of the paragraph . The paragraph is bolingbroke dissertation, a coherent passage of logically connected sentences usually concentrating on no more than one or two ideas relevant to your argument. Critical! Do not use very short and unconnected staccato sentences. It takes experience and on parties practice to develop a sense of thesis about inventory when a new paragraph is needed and when it has been finished. Examine the introduction to this booklet and this guide to get some sense of how paragraphs, or ' idea units ' as they have also been called, can be developed and constructed, and how their 'natural' beginnings and ends appear. The first sentence of the paragraph should generally be a 'strong' one, used to signal or indicate the idea to be discussed within the paragraph. Think of a 'topic sentence', as it has also been called, which will highlight the main areas examined in a particular paragraph. Connecting and signposting words and phrases should be learnt, used, practised and developed (examples are 'furthermore', 'moreover', 'in addition', 'to qualify the above', 'however', 'in order to', 'in this connection', 'having established that' etc.). The argument should develop through the language you use and therefore in a short essay sub-headings are unnecessary. Several stages are involved in essay preparation, choosing which points are to be considered, deciding how you will deal with them, and the actual writing. As you gain more experience you will find methods and ways of working which suit you, your personality and lifestyle.

Generally, however, the process will involve the following. Bolingbroke! You should examine carefully the statements made in the essay question , making sure you understand each word and what is being asked, as misreading and misunderstanding at this stage can be fatal. Essay questions can be very general, very specific and sometimes deliberately provocative, and an understanding of them is essential. Jane Essays! Read through notes you may have made in class, start to gather other relevant source material , and make notes about the literary text you are examining. Ask yourself the questions suggested earlier in the introduction to this booklet, concerning style, content, and imagery etc. Next you will probably want to identify the key points that you want to discuss. There may be many points you find generally interesting, but ask yourself if they are relevant to the essay in question. To do this it can be useful to bolingbroke dissertation on parties try to think of a title for your essay.

This is automated essay grading, not to be confused with the essay question or title, but is concerned with your response to the task set. Bolingbroke Dissertation On Parties! What title would best give the reader an overview of transition words your approach and analysis, and bolingbroke dissertation on parties highlight the main points you examine and the conclusions you reach? (Suggestions concerning conclusions will be given later). You should not assume that an essay has to include and transition cover all the possible points an interpretation may offer up. A short, well organised and structured essay focusing on some of the main points is far better than an over-long and unwieldy attempt to say a little about everything. You may find it useful to state in the introduction which points you are focusing on and why.

Keep your reader informed of the development of your argument. Bolingbroke On Parties! Let her or him know which direction is being taken and the reasons why. Once the main points have been identified you need to automated essay grading system consider in which order they will be examined. Students often do not make the on parties, most of the good ideas they have because they get lost if the argument does not develop coherently. Good points are also often thrown away or wasted because students do not say enough about them. Make sure the relevance of each point to the main argument is clearly stated and demonstrated. Awakening Essay! You should dwell and linger on the points: often this requires no more than two or three extra sentences, particularly if your writing is concise and focused. A good essay takes time to prepare and bolingbroke on parties write, so start to think about no regrets, it and do the groundwork well ahead of the bolingbroke on parties, essay deadline (even in timed conditions, such as exams, it is important to eyre essays take the bolingbroke dissertation on parties, time to documentation about system organise and structure the essay before starting to write). Bolingbroke Dissertation! You will probably find that you need to essay work out dissertation on parties your ideas on paper before writing the essay, and critical are encouraged to prepare an on parties, outline of the transition words in essay, essay: a point by point series of bolingbroke key words, phrases and ideas. This will help you to organise the structure and to recognise what is relevant and irrelevant to the essay as a whole.

Some people find that a plan or outline will consist of eight to critical ten words only. Others find it more useful to dissertation on parties draw up very detailed plans, outlining every paragraph and its contents. Again you will discover which method works for you as you go along. Some students find it easier to think and plan the essay point by point before beginning to transition words in essay write, whilst others find that after some initial preparation, reading, organisation and thinking they can only dissertation, develop their ideas through writing. Both these approaches take time, if the essays are to be done well.

It should be stressed here that the first plan does not have to be binding and no regrets may change as the on parties, work begins and develops. The main point here is that essays involve a certain amount of planning and preparation even before the transition words in essay writing, actual writing begins. Having emphasised that essays are hard work and take time it should also be stressed that it can be very stimulating and rewarding to dissertation on parties work through a number of ideas in depth and detail. Literary texts and literary language are potentially very complex, inspiring, and beautiful. The ideas and images often demand careful thought and attention. Computers are essential in terms of using the time you spend on an essay efficiently and productively. As stated earlier, good essay writing demands time spent on every stage of the process: reading and research, making an outline, ordering and structuring your ideas, writing and changing various drafts, and final editing and presentation. Jane Eyre Essays! With this in mind it cannot be stressed enough how important it is for you to learn word-processing skills and to make sure you have access to a computer.

Use the university resources. Admittedly the space available is limited at times but this is no excuse not to bolingbroke dissertation learn the skills, if you do not already possess them, and to find out where there are available computer terminals. Of course if you use university resources it is even more important to start your essay early in order to avoid the last minute rush as most students, not only from this department, search for essay terminals in a panic on the Friday before a Monday deadline. It is appreciated that students are very busy and do have a lot of work, but it is a mistake to claim, as some students have been heard, that they are too busy to learn word-processing skills. Ultimately word-processing will save you a lot of time. It is bolingbroke on parties, far easier to add and delete material, and to restructure and reorganise essays by moving material around, on a computer than if you are writing by hand. Software has become really user-friendly; 'Word', for essay instance, will tell you what to do in explicit English or French, and typing skills can be learned whilst typing. Your essay will be the representation of an argument on a given subject or subjects . It will include only points which are relevant to bolingbroke the subject, so be careful to get rid of material that is automated system, not directly relevant. Although students complain that essays are too long, most of the essays you will write are really relatively short. Part of the skill of writing is to bolingbroke write concisely and economically , without wasting material or 'padding' the work with irrelevant diversions and repetition. Once the points have been chosen they should be presented logically and coherently , so do not leap about from point to point.

Each point generally will have some connection to the preceding one and the one to follow. Essays Religion! If you do leave one area of the essay to bolingbroke move into no regrets essay, another, but intend later to go back to the point you have left and show, for example, how the points may be connected or related, then it can be useful to dissertation on parties say so by 'signposting', e.g. 'this point will be picked up later', 'this point will be returned to later, after taking into consideration . '. After each draft of the essay check that each point is presented in automated grading system a logical and coherent order. Read each draft carefully and critically. Is there a significant idea you have not included in the essay? Do you need to expand some of the points you have chosen to on parties write about? Are some of the grading, points, after due consideration, not really relevant? Have you been too long-winded or repetitive? If so, cut out and/or reduce some of the dissertation on parties, text. Does your argument need to critical be clearer, and bolingbroke on parties do the links between some of the essay, main points need more emphasis? You should be asking yourself these questions throughout the whole process.

A particularly distressing weakness in the past, but hopefully not the bolingbroke dissertation, future, has been the absence of serious discussion of imagery and literary language . Some students have merely stated that the author uses imagery, illustrated this with an example, and then moved on to the next point on the list. If you discuss images, metaphors and other literary devices, then say how and critical why they are being used in the piece of fiction, and maybe if you think the imagery works or not. Bolingbroke! If you do not say how and animal theme essay why an image is being used then don't mention it. You will not write good work on literature if you approach an bolingbroke on parties, essay as some useless game of 'spot the in essay writing, image'. Throughout your years at the University of Liège you will be writing essays on literature which will inevitably include numerous quotations , either from the literature you are working on on parties or from secondary sources, be they books or articles on historical context, literary criticism or other relevant areas. These quotations can obviously add much to the texture and quality of your work, but they are often handled very badly by students. Do not assume that a good quotation will do all the work you want by itself. Poor essays are often merely a patchwork of quotations stitched together by the briefest of comments, and it is a mistake to leave quotations hanging in mid-air, as it were, without comment or explanation. Quotations need to be framed. Jane Essays! They should be introduced, not mechanically, but within a context provided by bolingbroke dissertation on parties the logical development of your argument . ( See Example 1 at the end of this guide).

You should also provide some commentary on the quotations, particularly if they include difficult and/or controversial ideas or material. This is often likely to be the case as there is really little point in including 'bland' quotations in your essay. You may want to essay system gloss, explain, qualify or modify the bolingbroke on parties, quoted words, or you may have included quotations whose assumptions or arguments you strongly disagree with. The latter case can be useful, if handled well. Often an argument can be developed through contrast with opposing or differing arguments. This tactic in essay construction also displays independent thinking in that it demonstrates that you have not unthinkingly accepted and believed everything you have read. One final point on quotations: do not plagiarise . Using other people's work without saying so is a serious crime. Tutors have read widely on the subjects you will be writing on and are very likely to recognise when you are plagiarising. If you use other people's ideas and words they have to be acknowledged through proper footnoting and referencing . ( See Example 2 at the end of this guide). Essays need a conclusion , which for no regrets the sake of clarity should be relatively short.

It is generally best not to include new ideas or new material in bolingbroke dissertation on parties your concluding comments, particularly since many people think that a conclusion should be a summary of the prior arguments. Essay! You may, however, point to alternative conclusions or arguments, or briefly suggest areas of interest that have not been dealt with directly by the essay. People often get the wrong idea about conclusions and believe that this is the dissertation, place to system state firm convictions, and that a conclusion has to make a stand and come down on the side of one argument or another. This can be the on parties, case but it is not necessarily so. If an essay title comes in the form of a question, for example 'Is James Joyce seeking to jane eyre religion distance himself from traditional forms of Irish culture?', and you cannot decide, do not think that this is a problem. It is as much a sign of intelligence to state that you cannot decide as it is to dissertation on parties sift through the evidence and decide one way or the other. Think about why you cannot decide. Perhaps the awakening essay, evidence is conflicting. Perhaps the literary text and its use of imagery is ambiguous, or even contradictory; as is often the case. If you cannot decide, then say so, outlining why you cannot decide.

Alternatively, you may partly agree or partly disagree with the statements or questions raised by dissertation the title , or by questions raised directly in responding to the title. If so, say so. Jane Eyre Essays! A forced conclusion to on parties an essay can be as bad as the essay having no concluding remarks at all. In connection to the last point it should be emphasised that any essay should be about your ideas and jane your interpretation of the literature being studied . Of course your ideas may, and indeed should, develop through discussions with friends, fellow students, tutors and bolingbroke on parties through the consultation of books and articles, but it is your ideas which should form the basis of the essay. Whilst you will use material that is not your own, it is the way that you use, add to, adapt and modify this material that makes the argument your own and original. Your own voice should be heard.

This needs to be qualified by the understanding that there is a particular form and style in academic writing . This is generally formal, analytical , and 'serious' rather than colloquial, emotional and no regrets conversational . Bolingbroke! Your voice and your ideas need to awakening essay be heard, but be careful of cultivating an overly idiosyncratic, 'individual' style. Remember that in writing you are communicating and that therefore your argument should be clearly expressed. This does not mean you should be simplistic: it is a very important skill to express complex ideas with clarity. One final point needs to be made on the subject of the dissertation on parties, essays you write being about your ideas. Some of you may find this an extraordinary statement but it is a bad idea to tailor and construct your essay around what you believe your tutor or the head of the course thinks about the transition, text, and what you think she or he wants to dissertation hear. If you have different methods or your interpretations differ from those of the tutor, then develop them happily. Remember that essay writing is all about presenting an argument and using evidence from the text and elsewhere to back up your statements, and if you do this well you will be given credit for it whether or not the tutor agrees with the no regrets, overall argument. It is not particularly interesting for tutors to on parties read in essays only what they have said in class, particularly if this is reproduced in inventory a flat, unconvincing, and unconvinced manner. Of course you may agree and be persuaded by bolingbroke on parties arguments and interpretations outlined in class but if you do not believe the arguments you reproduce in the essay it will be obvious and the tutor will wonder why you bothered to include them. You will write a better essay if you are focusing on your own ideas, developed through discussion and reading, not least because you will be enthused by them.

Eventually your ideas will be thought through, outlines planned and re-planned, main points developed, written down on paper, then rewritten, and finally given to about inventory system your tutor. Nevertheless your work on dissertation on parties the essay has not yet finished. Once the essay has been graded and returned it is very important that you do not merely look at the grade you have received before putting it at the bottom of your files. Read through your tutor's comments carefully, and make sure you understand exactly why you have received the grade you have, even if you are happy with it. If you do not understand why, or you are not sure about your tutor's comments, then ask. If it is theme analysis essay, not possible to ask during class or you would prefer to dissertation on parties talk privately go to your tutor during office hours, or make an appointment if these clash with other classes. Writing is words in essay, a skill which has to be learnt and dissertation practised, it is an ongoing process and you will learn more each time. Follow up work once the essay has been returned is an important part of this process. Example 1: Using Quotations.

The extract below, from a paper on Muriel Spark's The Prime of Miss Jean Brodie , shows how quotations can be used. Because the paper quotes from the novel extensively, page numbers are found within the main body of the text, in parentheses, after complete bibliographical details have been provided in a footnote to the first quotation. Quotations from secondary sources are referenced by footnotes. Short quotations are included, in essays quotation marks, within the main body of the paper, whilst the longer quotation, without quotation marks, makes up an indented paragraph. Note that even when the writing by the author of the paper is combined with quotations from the novel and dissertation on parties secondary sources the sentences are still grammatically correct and coherent. Jean Brodie is convinced of the rightness of her own power, and uses it in a frightening manner: 'Give me a girl at an impressionable age, and she is mine for life'. 1 This is words, Miss Brodie's adoption of the Jesuit formula, but, whereas they claim the child for bolingbroke dissertation on parties God, she moulds the child for her own ends. 'You are mine,' she says, '. of my stamp and cut . ' (129).

When Sandy, her most perceptive pupil, sees the 'Brodie set' 'as a body with Miss Brodie for the head' (36), there is, as David Lodge points out, a biblical parallel with the Church as the body of Christ. 2 God is Miss Jean Brodie's rival, and religion this is demonstrated in a literal way when one of her girls, Eunice, grows religious and is preparing herself for bolingbroke dissertation confirmation. She becomes increasingly independent of Miss Brodie's influence and animal farm analysis decides to bolingbroke go on the Modern side in system the Senior school although Jean Brodie makes clear her own preference for the Classical. Eunice refuses to continue her role as the group's jester, or to go with them to the ballet. Cunningly, her tutor tries to regain control by playing on dissertation her religious convictions:

All that term she tried to inspire Eunice to become at least a pioneer missionary in some deadly and dangerous zone of the earth, for no regrets essay it was intolerable to Miss Brodie that any of her girls should grow up not largely dedicated to some vocation. 'You will end up as a Girl Guide leader in bolingbroke on parties a suburb like Corstorphine', she said warningly to Eunice, who was in fact secretly attracted to this idea and who lived in Corstorphine. (81) Miss Brodie has different plans for Rose; she is to be a 'great lover' (146), and her tutor audaciously absolves her from the sins this will entail: 'she is above the moral code, it does not apply to her' (146). This dismissal of possible retribution distorts the girls' judgement of automated grading system Miss Brodie's actions. The above passage is taken from Ruth Whittaker, The Faith and Fiction of Muriel Spark (London and Basingstoke: MacMillan, 1982), pp.106-7. Example 2: Laying out a bibliography.

The bibliography will usually include the relevant sources consulted in bolingbroke dissertation producing your essay , even if you have not referred to documentation about or quoted from them directly. Bolingbroke! The order is alphabetical and determined by the authors' names. Awakening! Book titles appear in italics or are underlined , whilst article titles appear in inverted commas. When referring to books you should include the author's name, place of publication, the publisher, and the date when the book was published. To reference the on parties, source of an article from a journal include the name of the journal, the number and/or volume number, the date of publication and the page numbers. There are several styles for laying out farm analysis a bibliography, but the same elements appear in dissertation on parties each, and you must be consistent. Consult the words in essay, handbooks to be found in the libraries for further details. This is a model used by bolingbroke on parties many British universities and publishers. Dahlgren, Pete, Television and the Public Sphere (London: Sage Publishers, 1995) Dubois, Ellen, 'Antipodean Feminism', New Left Review , no.206, July/August 1994, 127-33. Fussel, Paul, The Great War and Modern Memory (Oxford: Oxford University Press, 1975)

Gledhill, Christine, 'Melodrama', in The Cinema Book , ed. Pam Cook (London: BFI, 1985), pp.73-84. Lodge, David, 'The Uses and Abuses of critical Omniscience: Method and bolingbroke dissertation Meaning in Muriel Spark's The Prime of Miss Jean Brodie ' in David Lodge, The Novelist at the Crossroads and Other Essays on Fiction and eyre essays religion Criticism (London: Routledge and Kegan Paul, 1971), pp.119-44. Pettifer, James, The Greeks (London: Penguin, 1993) This is the model recommended by the Modern Languages Association (MLA) and is used by most American universities and publishers. Dahlgren, Pete. Television and bolingbroke the Public Sphere . London: Sage Publishers, 1995.

Dubois, Ellen. Antipodean Feminism. New Left Review 206 (July/August 1994): 127-33. Fussel, Paul. The Great War and Modern Memory . Oxford: Oxford University Press, 1975. Gledhill, Christine. Melodrama in critical essay The Cinema Book . Ed. Pam Cook. London: BFI, 1985.

73-84. Lodge, David. The Uses and bolingbroke on parties Abuses of animal farm essay Omniscience: Method and Meaning in Muriel Spark's The Prime of bolingbroke dissertation on parties Miss Jean Brodie in David Lodge The Novelist at the Crossroads and awakening Other Essays on Fiction and Criticism . Dissertation! London: Routledge and Kegan Paul, 1971. 119-44. Pettifer, James. The Greeks. Animal Essay! London: Penguin, 1993. The essential information provided by each model is given in the same order, but they differ in the way that the bolingbroke, details are presented. Whichever model you choose or are instructed to automated essay system use ensure that you stay consistent to it. Consult reference works for further advice.

These books are on the open shelves: · John Clanchy and Brigid Ballard, How to Write Essays (Melbourne: Longman Cheshire, 1992) · Joseph Gibaldi, MLA Handbook for dissertation Writers of Research Papers (New York: MLA, 1995) 1 Muriel Spark, The Prime of Miss Jean Brodie (London: Macmillan, 1961), p.7. All further references are to thesis documentation about inventory this edition and given in the text. 2 David Lodge, 'The Uses and Abuses of Omniscience: Method and bolingbroke Meaning in essay Muriel Spark's The Prime of Miss Jean Brodie ', in David Lodge, The Novelist at the Crossroads and Other Essays on bolingbroke dissertation on parties Fiction and awakening Criticism (London: Routledge and Kegan Paul, 1971), pp.119-44.

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8 Lessons for dissertation Writing Compelling Content. Andy Kinsey builds on his previous post about compelling content by introducing eight new lessons. Back in animal farm theme analysis, 2009 I wrote a blog post which introduced the idea of “compelling content.” At the time the 5 directives were quite simple and today those ideas remain solid. Bolingbroke On Parties? They were; know your audience, talk in the present tense, have an opinion, be concise engage your readers. Animal Farm Theme Analysis Essay? When I wrote the post, it was before most (even in bolingbroke on parties, the SEO industry) had got to grips with the idea of Content Strategy, something that many still fail to grasp even today. But as time has gone on a few things have happened in no regrets essay, the world, not least of which are the growth in smart device use and the growth in bolingbroke dissertation, social media (both globally). Most importantly we’ve moved from the idea of “SEO is everything” to essay system, SEO is a part of the bolingbroke dissertation bigger picture of Digital Marketing. So with this in essays, mind, here are my 8 lessons for writing compelling content.

As digital marketers, web designers etc. we are all aware of the process where we create a set of potential user personas and look at user flow through a website for specific tasks. With writing content the idea is the same, although we need to think about the users objectives when they searched and dissertation on parties found your content were they looking for information or looking for essay a service? Also we need to consider who they are. For example, on SEO Andy and here on Boagworld, the target is broadly everyone involved in bolingbroke dissertation, the web, but on Headscape and RedStar (where I work) we are targeting people who want to critical, buy. So we need to consider, before we start writing, who we are targeting and bolingbroke dissertation on parties what tone or type of information they want and need. Essays Religion? Tip: Just because one blog post targets one segment of your audience doesn’t mean they all have to dissertation on parties, target that same segment you can spread the love and critical essay gain a wider audience.

Writing content for engagement can be difficult at times, you want your audience to read every word you write, you want them to leave comments and talk about bolingbroke your post on social media. But before I go on, know that there is eyre, no goose laying a golden egg for dissertation engagement, this said there are some tips I can give you to help you create engaging content. Have a drawing introduction As with many things on the web, your article has only seconds in documentation about inventory, which to make an impression and the user decide to read your article or not. Tell users what you are writing about and why they should care, make them want to read and feel like if they don’t read they are missing out. Tell a story When someone is looking for a service, such as web design, they will look at your testimonials, portfolio and your case studies. Dissertation On Parties? Each of them tell a story, an anecdote that the in essay reader can latch onto and remember. It will make your service page or your blog much more engaging to the reader and ender them to read more. Leave readers with questions By this I don’t mean have an incomplete article or deliberately miss something out. I mean that you should always leave the reader wanting to know more, if you can master this art users will leave comments, tweet you and on parties otherwise contact you.

It will also mean you can answer the questions by expanding your content, and because you know people want to read it you know it’s worth investing in transition words in essay, writing that piece of content. Very few pieces of content written which are longer than 500 words will be read word-for-word by all of your users, indeed taking a look at bolingbroke dissertation on parties analytics you will no doubt find that around 15 to jane eyre religion, 20 percent of users will actually be on a page long enough to read everything. So if you are reading this word-for-word you are doing great, we’re almost at 700 words. This means your content must be scannable, formatting your posts correctly with clear headings and bolingbroke on parties subsection dividers your user can quickly scan the content to find the farm analysis essay details they want to read about. In a long post like this, it can be very important. Bolingbroke Dissertation On Parties? This ties in neatly with engaging your readers. If you want to eyre essays, write a compelling piece of content which sells you, your service or simply makes others want to comment you need to have an opinion, you need to be definitive and an authority. Having an opinion, even if others disagree, it can make you appear as an “expert” in your industry and show that you know what you are talking about. And if users do disagree, they will probably comment on your posts, meaning it gets more interaction the bolingbroke more interaction in your comments the more likely your post is to rank. Your opinion is what (hopefully) sets you as an animal theme essay, author apart from dissertation on parties your competitors in whatever market you operate in.

It’s why people come to grading, your site after all, because they value your opinion. If you have a passion show it! Adding visual appeal to a website isn’t just about adding a big infographic to a blog post, or a few little pointless images to bolingbroke, a page. Animal Farm Analysis? Instead it’s about adding highly relevant visual aspect sot a piece of content. It could be a photograph to demonstrate your point or it could simply be an eye catching illustration which clearly identifies a blog post. But the best type of bolingbroke visual asset is one which has great purpose, a lovely looking graph, conceptual diagrams, screenshots or video. These are also things that you will want people to about system, share across the bolingbroke web, as Rand from Moz explains in this video. Rand from Moz talks about sharable visuals. The issue with the web, as I see it, other than a lot of rubbish content is that content is often too passive it’s something I call the eyre Passivity Law. In essence, for every 1 piece of stunning content which engages users there are about 100 other pieces around the web which are crap. Bolingbroke Dissertation? It’s not that authors content is crap, it isn’t at all, what it is is that there are no calls to action, there is no action for awakening critical essay the user to follow up with.

Here are a few tips to transform your content into a piece of actionable content: Know what you want your audience to do think about this during the phase of “knowing your audience”, do you want someone to comment, share your blog posts or something else? If you don’t know you certainly can’t tell them. One Call to Action per dissertation, page when you want someone to do something you need to ask them to do it, make it very clear. Jane Essays Religion? On my blog I’ve a call to action for comments asking users to dissertation, “speak out”, others like Mashable are more concerned with social shares whatever your targets show it. Essay? But only have one “stand out” call to action on each page, if you want someone to dissertation on parties, download a PDF or sign up to farm theme, a newsletter make it clear.

Keep CTA’s Simple The reason for one CTA on a page is because any more and dissertation on parties a user gets confused, there may be a benefit to each one but you are making it all too complex for your users. Keep it simple and achievable. Make Your Content Unique and Reference Experts. Your content should always be unique, search engines love unique content, those little robots just eat it up. Unique content is king. But imagine if thousands of people read your post and it’s inaccurate, you look bad and so does your company I don’t say this to critical, scare you but rather to bolingbroke on parties, help you protect you and your brand’s image. If you are saying something that is based on someone elses views, blog, book etc. tell the theme reader, either link to it or add a citation footer just as you would in an essay. In addition to this protecting you from something when it goes wrong it also shows that you are well read, you listen to others (and still have your own view) and finally will help others to know their work is dissertation on parties, valued (which means they may link to you). Write Consistently and Continually. Transition Writing? Writing for dissertation on parties a blog on a “one off” is fairly easy but keeping your company blog alive or content fresh on your site is a real commitment.

If you can’t dedicate enough time to it then you will struggle to eyre religion, have an effective blog or website which ranks well. Anyone can write a couple of bolingbroke dissertation on parties posts and abandon a blog, but the system best sites which rank well are those which are updated on a regular basis with unique content that is engaging to the user. To support you in this it will be worth creating a blog schedule which can shape your blog going forward and bolingbroke dissertation on parties help you do more than just think “what should I write about”. Instead you can plan things in tandem with your company-wide strategies. If you are just updating the essay blog and on parties a few pages you probably don’t yet need a full content strategy but if you are doing marketing for no regrets essay several sites or divisions within a large company it’s certainly worth investing in a good content strategy. Wondering which category you fall into, blog schedule or content strategy? I work with a company called TotalPost.

When I started they had just one site for UK customers it had a blog, several info pages and then a shop came online it was still at the blog schedule level and relatively easy to market. Today, TotalPost has 5 websites (each targeting another global location) and there are more coming online soon. At this point it is clear that a content strategy is bolingbroke on parties, needed to maintain the growth of each site and the brand with it a content strategy is jane eyre essays, not just about content but also making sure the quality of content remains solid to reinforce the brand. Wondering what the last 1900(ish) words are all about and don’t want to read them well here is basically what it boils down to Know who you are writing for. Know what you want your reader to do. Set out to bolingbroke dissertation, entertain and/or inform your user.

Write unique content. Don’t be scared to no regrets essay, have an opinion. Make your post visually appealing. Clearly segment your content. Write on a regular basis.

If you’ve got a tip for writing compelling content or have a question about bolingbroke dissertation on parties your content strategy leave a comment below or tweet myself @andykinsey or Paul @boagworld. About the author: Andy Kinsey is the eyre essays religion Head of Digital Marketing at dissertation RedStar and is also the founder of digital marketing blog SEO Andy. Become an expert in User Experience with my newsletter. Thesis About? Every two weeks you will receive advice on improving your digital strategy, evolving your web presence and meeting the bolingbroke needs of your connected consumers. You can unsubscribe in one click and essay I will never share your email address. You can follow all my posts by subscribing to my RSS feed or signing up to my email newsletter above. On Parties? Subscribe to the podcast via itunes or RSS.

You can also subscribe to my short audio insights via itunes and RSS too. I post a lot to Twitter. But increasingly I am hanging out in the Boagworld Slack Channel. You are welcome to join. I also have a Facebook page which contains considerably less waffle. Paul Boag is a user experience designer, author and speaker.

He helps not-for-profits such as the European Commission, UCAS and Doctors Without Borders adapt to the digital world. He also works with many sizeable commercial clients. He refocuses them on user experience and engaging with a new digitally savvy audience. All the while pursuing his not-so-hidden agenda. In Essay? High quality posts Reach the right audience Build your audience.

Motivational presentations Workshops Online training Comms strategy. My Complete Guide: How to ensure user experience is a priority for bolingbroke dissertation on parties your company. How to adopt an iterative approach to UI design. Essays? Are you wasting money on dissertation periodic website redesign? Content Management: How to effectively overcome legacy content.

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You should always take care with how You handle and disclose your Personal Information and should avoid sending Personal Information through insecure e-mail, social networks or other internet channels. Retention and transition writing Disposal. We retain information only for as long as we have a business or tax need or as applicable laws, regulations and/or government orders allow. When we dispose of Personal Information, we use reasonable procedures designed to erase or render it unreadable (for example, shredding documents and wiping electronic media). PRIVACY POLICY UPDATES. How We Communicate Changes to This Policy. We may update this Policy at any time to provide updates to on parties, or clarification of our practices. If we make changes we may provide You with additional notice (such as adding a statement to no regrets, the homepage of bolingbroke dissertation on parties, our Website or sending You a notification).

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A Dissertation Upon Parties: Henry St John [Bolingbroke, Nicholas

How to write a 3,000 word essay in a day. Updated 30 August 2017. There's nothing like an approaching deadline to give you the motivation (and fear) you need to get writing – don't stress though, we're here to on parties, help you out! We know – you had every intention of essay being deadline-ready, but these things happen! At some point during your time at university, you're bound to find you've left coursework to the very last minute, with fewer hours than Jack Bauer to bolingbroke, complete a 3,000 word essay. But don't sweat, cause 3,000 words in a day is totally doable! Not only this, but you can even produce an eyre, essay you can be proud of if you give it everything you got. Between nights out, procrastination and bolingbroke on parties, other deadlines to juggle, the time can easily creep up on you. However, the worst thing you can do in this situation is religion, panic, so keep calm, mop up the cold sweats and read on to find out how to nail that essay in dissertation on parties, unbelievable time!

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Credit: Steve Czajka – Flickr. Sometimes the introduction can be the most difficult part to eyre, write, but that's because it's also the most important part! Don't worry too much about making it sound amazing at this point – just get stuck into introducing your argument in bolingbroke on parties, response to your chosen question and telling the reader how you will support it. You can go back and make yourself sound smarter later on when you're at the editing stage. Create something of a mini-outline in your introduction so you signpost exactly what it is you're planning to argue. Don't use the introduction as a space to throw in random references to things that are vaguely relevant.

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Do a quick spell check and make sure you have time for potential printer issues. We've all been there! A lot of students overlook the importance of spelling and grading, grammar. It differs from uni to uni, subject to subject and bolingbroke dissertation on parties, tutor to religion, tutor, but generally your writing style, spelling and grammar can account for up to dissertation on parties, 10-20% of your grade. Make sure you edit properly!

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